All Critics (67) | Top Critics (21) | Fresh (61) | Rotten (6)
"No" stands proudly in a select sub-category of historical fiction films that work, completely and satisfyingly, as their own movies.
Garc?a Bernal quietly carries this film as a soft-spoken kid in blue jeans and untucked shirt.
"No" isn't nearly as definitive or declarative as its title: It leaves viewers wondering whether they should cheer, shrug or shake their heads.
There will have to be a hell of a lot of good movies released in 2013 for No not to make my list of the year's 10 best.
It always retains a level of interest, especially for those of us who don't remember - or aren't old enough to remember - which side won.
Nominated by the Academy as the year's best foreign-language film, No grabs you hard, no mercy, and keeps you riveted.
It's a fascinating and surprisingly fun look behind the scenes of politics and media.
An Oscar-nominated win for more than just political junkies.
A worthy and a quite interesting slice of modern international history ...
Paranoia mixes neatly with optimism in this dramedy about the ad campaign that made Chile democratic.
It hangs on three ideas...While each...is intriguing, the execution of all is less than satisfying.
Larra?n's script is punctuated by dark bursts of humour, and the filmmaker knowingly navigates his audience to a nail-biting - though never cloying, and fully warranted - climax.
It makes the superficial Mad Men seem like, well, a commercial. Buy, buy, buy.
A fascinating period re-creation if not an especially compelling drama.
Evocative and suspenseful, the film is a fascinating glimpse into recent history and the democratic process.
The film highlights the sad fact that logical arguments don't win political debates or elections. Sloganeering and advertising do.
Using a technique borrowed from cinema verit? documentaries, the director succeeds in making us feel as if we're living each moment right alongside his politically-charged characters.
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Source: http://www.rottentomatoes.com/m/no_2012/
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